Dragnet in Waitresses Robbed and Beaten
Old Time Radio Nostalgia
Dragnet was a long-running radio and television police procedural drama about the cases of a dedicated Los Angeles police detective, Sergeant Joe Friday, and his partners. The show takes its name
from an actual police term, a "dragnet", meaning a system of coordinated measures for apprehending criminals or suspects. Dragnet debuted inauspiciously. The first several months were bumpy, as Webb
and c...
read more
Dragnet was a long-running radio and television police procedural drama about the cases of a dedicated Los Angeles police detective, Sergeant Joe Friday, and his partners. The show takes its name
from an actual police term, a "dragnet", meaning a system of coordinated measures for apprehending criminals or suspects. Dragnet debuted inauspiciously. The first several months were bumpy, as Webb
and company worked out the program’s format and eventually became comfortable with their characters (Friday was originally portrayed as more brash and forceful than his later usually relaxed
demeanor). Gradually, Friday’s deadpan, fast-talking persona emerged, described by John Dunning as "a cop's cop, tough but not hard, conservative but caring." (Dunning, 210) Friday’s
first partner was Sgt. Ben Romero, portrayed by Barton Yarborough, a longtime radio actor. When Dragnet hit its stride, it became one of radio’s top-rated shows. While most radio shows used one
or two sound effects experts, Dragnet needed five; a script clocking in at just under 30 minutes could require up to 300 separate effects. Accuracy was underlined: The exact number of footsteps from
one room to another at Los Angeles police headquarters were imitated, and when a telephone rang at Friday’s desk, the listener heard the same ring as the telephones in Los Angeles police
headquarters.
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Wed December 24 2008
Dragnet was a long-running radio and television police procedural drama about the cases of a dedicated Los Angeles police detective, Sergeant Joe Frid...
read more
Dragnet was a long-running radio and television police procedural drama about the cases of a dedicated Los Angeles police detective, Sergeant Joe Friday, and his partners. The show takes its name
from an actual police term, a "dragnet", meaning a system of coordinated measures for apprehending criminals or suspects. Dragnet debuted inauspiciously. The first several months were bumpy, as Webb
and c...
read more
Dragnet was a long-running radio and television police procedural drama about the cases of a dedicated Los Angeles police detective, Sergeant Joe Friday, and his partners. The show takes its name
from an actual police term, a "dragnet", meaning a system of coordinated measures for apprehending criminals or suspects. Dragnet debuted inauspiciously. The first several months were bumpy, as Webb
and company worked out the program’s format and eventually became comfortable with their characters (Friday was originally portrayed as more brash and forceful than his later usually relaxed
demeanor). Gradually, Friday’s deadpan, fast-talking persona emerged, described by John Dunning as "a cop's cop, tough but not hard, conservative but caring." (Dunning, 210) Friday’s
first partner was Sgt. Ben Romero, portrayed by Barton Yarborough, a longtime radio actor. When Dragnet hit its stride, it became one of radio’s top-rated shows. While most radio shows used one
or two sound effects experts, Dragnet needed five; a script clocking in at just under 30 minutes could require up to 300 separate effects. Accuracy was underlined: The exact number of footsteps from
one room to another at Los Angeles police headquarters were imitated, and when a telephone rang at Friday’s desk, the listener heard the same ring as the telephones in Los Angeles police
headquarters.
read less
Wed December 24 2008
Best remembered for her sensuous recordings, Shore was one of the most popular recording stars of the forties. While at Vanderbilt University, Shore s...
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Best remembered for her sensuous recordings, Shore was one of the most popular recording stars of the forties. While at Vanderbilt University, Shore sang on Nashville radio and took the name Dinah
after using ‘Dinah’ as her signature tune. In 1937 she traveled to New York and sang on radio before joining Xavier Cugat as guest vocalist. She made her recording debut with Cugat
(‘Th...
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Best remembered for her sensuous recordings, Shore was one of the most popular recording stars of the forties. While at Vanderbilt University, Shore sang on Nashville radio and took the name Dinah
after using ‘Dinah’ as her signature tune. In 1937 she traveled to New York and sang on radio before joining Xavier Cugat as guest vocalist. She made her recording debut with Cugat
(‘The Breeze and I’ 1940) but her big break came later that year when she became a regular on Eddie Cantor’s radio show. Her first hit was ‘Yes My Darling Daughter’
(1940),which was an adaptation of a traditional Russian melody. The song that established Shore was Harold Arlen’s and Johnny Mercer’s film theme, ‘Blues In the Night’. That
led to her appearing in several movies, including ‘Up in Arms,’ in which she sang Arlen’s ‘Now I Know’ and ‘I’ll Walk Alone’ and the Jerome Kern biopic
‘Till the Clouds Roll By,’ in which she sang the oft-recorded ‘Smoke Gets in Your Eyes.’
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Wed December 24 2008
These half-hours of drama and sometimes comedy were often very exciting and suspenseful. The cast was very good New York veterans of radio and stage, ...
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These half-hours of drama and sometimes comedy were often very exciting and suspenseful. The cast was very good New York veterans of radio and stage, including Jan Minor and John Larkin as featured
performers. The director, Harry W. Junkin, also served as the show's host and narrator. Each week the show introduced a new story, often written by well-known writers of fantasy and suspense such as
Ray...
read more
These half-hours of drama and sometimes comedy were often very exciting and suspenseful. The cast was very good New York veterans of radio and stage, including Jan Minor and John Larkin as featured
performers. The director, Harry W. Junkin, also served as the show's host and narrator. Each week the show introduced a new story, often written by well-known writers of fantasy and suspense such as
Ray Bradbury, Cornell Woolrich, Agatha Christie and Paul Gallico. They were dramatized with a full orchestral soundtrack and excellent sound effects.
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Wed December 24 2008
Theater Five was ABC's attempt to revive radio drama during the early 1960s. The series name was derived from its time slot, 5:00 PM. Running Monday t...
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Theater Five was ABC's attempt to revive radio drama during the early 1960s. The series name was derived from its time slot, 5:00 PM. Running Monday through Friday, it was an anthology of short
stories, each about 20 minutes long. News programs and commercials filled out the full 30 minutes. There was a good bit of science fiction and some of the plots seem to have been taken from the daily
newspa...
read more
Theater Five was ABC's attempt to revive radio drama during the early 1960s. The series name was derived from its time slot, 5:00 PM. Running Monday through Friday, it was an anthology of short
stories, each about 20 minutes long. News programs and commercials filled out the full 30 minutes. There was a good bit of science fiction and some of the plots seem to have been taken from the daily
newspaper. Fred Foy, of The Lone Ranger fame, was an ABC staff announcer in the early 60s, who, among other duties, did Theater Five
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