Escape - Wild Oranges (12-17-47)
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Wild Oranges (Aired December 17, 1947) Escape was radio's leading anthology series of high adventure, airing on CBS from July 7, 1947 to September 25, 1954. Since the program did not have a regular
sponsor like Suspense, it was subjected to frequent schedule shifts and lower production budgets, although Richfield Oil signed on as a sponsor for five months in 1950. Despite these problems, Escape
en...
read more
Wild Oranges (Aired December 17, 1947) Escape was radio's leading anthology series of high adventure, airing on CBS from July 7, 1947 to September 25, 1954. Since the program did not have a regular
sponsor like Suspense, it was subjected to frequent schedule shifts and lower production budgets, although Richfield Oil signed on as a sponsor for five months in 1950. Despite these problems, Escape
enthralled many listeners during its seven-year run. The series' well-remembered opening combined Mussorgsky's Night on Bald Mountain with the introduction, intoned by Paul Frees and William Conrad:
“Tired of the everyday routine? Ever dream of a life of romantic adventure? Want to get away from it all? We offer you... Escape!” Of the more than 230 Escape episodes, most have survived
in good condition. Many story premises, both originals and adaptations, involved a protagonist in dire life-or-death straits, and the series featured more science fiction and supernatural tales than
Suspense. Some of the memorable adaptations include Algernon Blackwood's "Confession", Ray Bradbury's oft-reprinted "Mars Is Heaven," George R. Stewart's Earth Abides, Richard Connell's "The Most
Dangerous Game," F. Scott Fitzgerald's "The Diamond as Big as the Ritz," John Collier's "Evening Primrose", later adapted to TV as a Stephen Sondheim musical starring Anthony Perkins. Vincent Price
and Harry Bartell were heard in the chilling "Three Skeleton Key," the tale of three men trapped in an isolated lighthouse by thousands of rats. The half-hour was adapted from an Esquire short story
by the French writer George Toudouze. THIS EPISODE: December 17, 1947. CBS network. "Wild Oranges". Sustaining. A good story about a beautiful girl and her father, trapped on an island by a homicidal
maniac. The script was previously used on "The Orson Welles Theatre" on November 3, 1941 and subsequently used on the program on September 28,l 1949 and on "Romance" on July 25, 1950. Cy Feuer (music
conceiver, conductor), William N. Robson (producer), Richard Sanville (director), Joseph Hergeshimer (author), William Conrad, Jack Kruschen, John Dunkel (adaptor), Paul Frees, Jeanette Nolan, Sherry
Hall. 29:43.
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Sat September 13 2008
Wild Oranges (Aired December 17, 1947) Escape was radio's leading anthology series of high adventure, airing on CBS from July 7, 1947 to September 25,...
read more
Wild Oranges (Aired December 17, 1947) Escape was radio's leading anthology series of high adventure, airing on CBS from July 7, 1947 to September 25, 1954. Since the program did not have a regular
sponsor like Suspense, it was subjected to frequent schedule shifts and lower production budgets, although Richfield Oil signed on as a sponsor for five months in 1950. Despite these problems, Escape
en...
read more
Wild Oranges (Aired December 17, 1947) Escape was radio's leading anthology series of high adventure, airing on CBS from July 7, 1947 to September 25, 1954. Since the program did not have a regular
sponsor like Suspense, it was subjected to frequent schedule shifts and lower production budgets, although Richfield Oil signed on as a sponsor for five months in 1950. Despite these problems, Escape
enthralled many listeners during its seven-year run. The series' well-remembered opening combined Mussorgsky's Night on Bald Mountain with the introduction, intoned by Paul Frees and William Conrad:
“Tired of the everyday routine? Ever dream of a life of romantic adventure? Want to get away from it all? We offer you... Escape!” Of the more than 230 Escape episodes, most have survived
in good condition. Many story premises, both originals and adaptations, involved a protagonist in dire life-or-death straits, and the series featured more science fiction and supernatural tales than
Suspense. Some of the memorable adaptations include Algernon Blackwood's "Confession", Ray Bradbury's oft-reprinted "Mars Is Heaven," George R. Stewart's Earth Abides, Richard Connell's "The Most
Dangerous Game," F. Scott Fitzgerald's "The Diamond as Big as the Ritz," John Collier's "Evening Primrose", later adapted to TV as a Stephen Sondheim musical starring Anthony Perkins. Vincent Price
and Harry Bartell were heard in the chilling "Three Skeleton Key," the tale of three men trapped in an isolated lighthouse by thousands of rats. The half-hour was adapted from an Esquire short story
by the French writer George Toudouze. THIS EPISODE: December 17, 1947. CBS network. "Wild Oranges". Sustaining. A good story about a beautiful girl and her father, trapped on an island by a homicidal
maniac. The script was previously used on "The Orson Welles Theatre" on November 3, 1941 and subsequently used on the program on September 28,l 1949 and on "Romance" on July 25, 1950. Cy Feuer (music
conceiver, conductor), William N. Robson (producer), Richard Sanville (director), Joseph Hergeshimer (author), William Conrad, Jack Kruschen, John Dunkel (adaptor), Paul Frees, Jeanette Nolan, Sherry
Hall. 29:43.
read less
Sat September 13 2008
Southern Exposure (Aired September 15, 1944) Author’s Playhouse - Famous stories by celebrated authors: among them, Elementals (Stephen Vincent ...
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Southern Exposure (Aired September 15, 1944) Author’s Playhouse - Famous stories by celebrated authors: among them, Elementals (Stephen Vincent Benet), The Piano (William Saroyan), and The Snow
Goose (Paul Gallico).March 5, 1941 till June 4, 1945, NBC; Blue Network until mid-October 1941, then the Red Network. Many briefly held 30m timeslots, including Sundays at 11:30,
1941-42;&...
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Southern Exposure (Aired September 15, 1944) Author’s Playhouse - Famous stories by celebrated authors: among them, Elementals (Stephen Vincent Benet), The Piano (William Saroyan), and The Snow
Goose (Paul Gallico).March 5, 1941 till June 4, 1945, NBC; Blue Network until mid-October 1941, then the Red Network. Many briefly held 30m timeslots, including Sundays at 11:30,
1941-42; Wednesdays at 11:30, 1942-44; Mondays at 11:30, 1944-45. Sponsor was Philip Morris, 1942-43. Cast: John Hodiak, Fern Persons, Arthur Kohl, Laurette Fillbrandt,
Kathryn Card, Bob Jellison, Nelson Olmsted, Marvin Miller, Olan Soule, Les Tremayne, Clarence Hartzell, Curley Bradley, etc. Orchestra: Rex Maupin, Roy Shield, J6seph Gallicchio. Creator:
Wynn Wright. Directors: Norman Felton, Fred Weihe, Homer Heck, etc. THIS EPISODE: September 15, 1944. NBC network. "Southern Exposure". Sustaining. A writer and photographer gang up on a
government official in Old Mexico. Robert Parsons (author). 1/2 hour.
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Fri September 12 2008
Murder Is A Lonely Business (Aired September 21, 1946) The Murder at Midnight series was a thirty-minute broadcast featuring tales of the supernatural...
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Murder Is A Lonely Business (Aired September 21, 1946) The Murder at Midnight series was a thirty-minute broadcast featuring tales of the supernatural. The actors included Mercedes McCambridge and
Lawson Zerbe and the show was narrated using the spooky, creepy voice of Raymond Morgan and always opened using the same gripping signature; “the witching hour, when night is darkest, our fears
are...
read more
Murder Is A Lonely Business (Aired September 21, 1946) The Murder at Midnight series was a thirty-minute broadcast featuring tales of the supernatural. The actors included Mercedes McCambridge and
Lawson Zerbe and the show was narrated using the spooky, creepy voice of Raymond Morgan and always opened using the same gripping signature; “the witching hour, when night is darkest, our fears
are the strongest, our strength at its lowest ebb… Midnight! … when graves gape open and death strikes!” THIS EPISODE: September 21, 1946. Program #14. Syndicated. "Murder's A
Lonely Business". Commercials added locally. Uncle Edward plans to change his will, leaving Grace and Fred Tilson without a penny. Grace and Fred kill the old man, but Uncle Edward gets the last
laugh! William Moorewood (writer), Helen Shields, Carl Emory, Anton M. Leader (director), Charles Paul (music), Wendell Holmes, Louis G. Cowan (producer). 26:47.
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Fri September 12 2008
Murder Rents A Room (Aired June 5, 1947) The Crime club was a Mutual Network murder and mystery series, a product of the Doubleday Crime Book Club imp...
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Murder Rents A Room (Aired June 5, 1947) The Crime club was a Mutual Network murder and mystery series, a product of the Doubleday Crime Book Club imprints found weekly in bookstores everywhere. The
telephone rings"Hello, I hope I haven't kept you waiting. Yes, this is the Crime Club. I'm the Librarian. Murder Rents A Room? Yes, we have that Crime Club story for you.Come right over. (The
organist ...
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Murder Rents A Room (Aired June 5, 1947) The Crime club was a Mutual Network murder and mystery series, a product of the Doubleday Crime Book Club imprints found weekly in bookstores everywhere. The
telephone rings"Hello, I hope I haven't kept you waiting. Yes, this is the Crime Club. I'm the Librarian. Murder Rents A Room? Yes, we have that Crime Club story for you.Come right over. (The
organist in the shadowed corner of the Crime Club library shivers the ivories) The doorbell tones sullenly "And you are here. Good. Take the easy chair by the window. Comfortable? The book is on this
shelf." (The organist hits the scary chord) "Let's look at it under the reading lamp." The Librarian, played by Raymond E. Johnson, begins reading the tale. Veteran Willis Cooper (Lights Out, Quiet
Please) did some of the scripts from the Crime Club books. THIS EPISODE: June 5, 1947. Mutual network. "Murder Rents A Room". Sustaining. A rich man "dies" but most of his money is missing. The man's
ne'er-do-well nephew is suspect. Sarah Elizabeth Mason (writer), Elspeth Eric, Helen Shields, Shirling Oliver, Bill Smith, Cameron Prud'Homme. 1/2 hour.
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Thu September 11 2008
Death On The Nile (Part 4 of 4) 1968 Christie only at the end of her life, when she realised that she could not write any more novels. These publicati...
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Death On The Nile (Part 4 of 4) 1968 Christie only at the end of her life, when she realised that she could not write any more novels. These publications came on the heels of the success of the film
version of Murder on the Orient Express in 1974. Like Arthur Conan Doyle with Sherlock Holmes, Christie was to become increasingly tired of her detective, Poirot. In fact, by the end of the 1930s,
Chri...
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Death On The Nile (Part 4 of 4) 1968 Christie only at the end of her life, when she realised that she could not write any more novels. These publications came on the heels of the success of the film
version of Murder on the Orient Express in 1974. Like Arthur Conan Doyle with Sherlock Holmes, Christie was to become increasingly tired of her detective, Poirot. In fact, by the end of the 1930s,
Christie confided to her diary that she was finding Poirot “insufferable”, and by the 1960s she felt that he was an "an ego-centric creep". However, unlike Conan Doyle, Christie resisted
the temptation to kill her detective off while he was still popular. She saw herself as an entertainer whose job was to produce what the public liked, and what the public liked was Poirot. In
contrast, Christie was fond of Miss Marple. However it is interesting to note that the Belgian detective’s titles outnumber the Marple titles by more than two to one. This is largely because
Christie wrote numerous Poirot novels early in her career, while The Murder at the Vicarage remained the sole Marple novel until the 1940s. Christie never wrote a novel or short story featuring both
Poirot and Miss Marple.
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